Painting Business – How to Know What to Put in Your Painting Estimate

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Do you go to a client’s house with your head full of ideas about the way things should be done? I know some painting contractors do it that way, because I have gone to a client’s home and had the client tell me that the contractor told them such and such.

When I go to a client’s home the first time to get the scope of the job they want, I go to measure. I want to measure the job: walls, ceilings, count doors, windows etc.

The idea that I have is to go to the Measure Call with a blank mind. I don’t want to push my ideas on the client. I want the client to talk. I ask questions and try to get as much info as I can. I try not to answer any questions on the Measure Call. Oh I am not rude when a client asks a direct question, I usually say that I will answer that when I give them the proposal, or I might give a generic answer.

What this approach does is two-fold. Number one, it allows me to measure and not lose track of my purpose. Now even though I keep this in mind, the occasional client will get me to step up on my soap box and I go on and on, wasting time and being an unpaid consultant. Usually the info given at this stage will be used against you and provided free of charge to the next painter in the door. And secondly, the client probably won’t remember, which painter gave them that advice, when the time to make the buying decision comes up. So even though I still sometimes get side tracked, it is easier and easier to remind myself what my purpose is. My purpose is not to be an unpaid consultant.

So what do I ask? Of course I ask about the job, but I also want to know how many estimates the client is going to get (if they tell me they are getting 5 or more estimates I usually will walk away, after politely telling them that I am not interested) usually to me that many estimates mean the client is just beating the price down. I had a client tell me that they were getting 8 estimates. I asked if they were providing a specification as to the description of the job. My idea was that everyone would be bidding the same specifications. But no they told me that they would follow whatever the painters said. Wow, so if they got some stumblebum painter to give them this low price and that painter convinced them that his way was right, then that was who they would go with.

I also want to know when they will do the job. I ask them if they have a budget for this job. Have they ever used a contractor before? Is there a time or date that they need to finish by? Are they painting to sell or rent, and just what is their motivation to paint. Basically I want to know a whole lot of stuff. Sometimes I may tell them that this is not a good match for us and them and politely turn down the estimate. You have to be careful and not blow off a good job, but sometimes it is just not a good match. I would rather not spend 2 hours estimating a job that I don’t want. I don’t provide an estimate just because they ask for one. My estimates are free to the client, but not free to me.

Most importantly, I leave with more information on the measure call than I give to them. That information is only for the time that I return and sit down at the kitchen table to go over the estimate and either I get the job or I don’t. I would also rather have them say “no” instead of “I’ll think about it”. That is the subject for another article.

By: P E Cavanaugh

Fabric Painting – A Unique Form of Painting

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Fabric painting is a unique form of painting that finds vibrant expression on the fabrics. Painting on fabrics has now become a popular homemade handcraft and is practiced by many whether as a hobby or as a part of livelihood. With simple techniques and procedures alluring paintings can be carved out in an affordable cost. It is due to these reasons fabric painting has a demanding market nowadays. Here we are from ethnicpaintings to furnish interesting information on fabric painting and display some lovely paintings of this genre.

Fabric painting is used in vogue in men shirts, ladies kurties, hand bangs, cushion covers, curtains, upholsteries, wall hangings and more. You need not have to be very adept in painting to become a fabric painter. What you require are some creative skills and sound knowledge on the various methods of fabric paintings. The rest happens automatically.

Fabric painting is all about mixing colors and applying heat in proportions. The work of a fabric painter is like that of a chemist mixing colors and perceiving the reactions. The fun lies in the fact that he or she should know what amount of color and heat to use in order to create a particular form of fabric painting. The most popular forms of fabric paintings are batik painting, dyeing, shibori, silk-screening, watercolor painting and layering.

Dyeing is one of the most common and simple forms of fabric painting. In dyeing some parts of a fabric are tied and merged into colored dye solutions while some other parts are abstained from dyeing. When folded in a particular shape, this helps to form a design integrating the colored and the uncolored segments. Batik Painting made by blending wax and dye is one of the most favored among the fabric paintings. Having its origin in the Indonesian island of Java, batik painting mesmerizes with its unusual tapestry, ensemble of colors and freedom of art. In Batik painting first the fabric is waxed, then dyed and finally de-waxed. Shibori is a typical Japanese tie-dye painting that lures with its creases, pleats, stitches, loops and colorful motifs. This type of painting is a bit complex and involves a series of processes like stitching, folding, creasing, dyeing, pleating and embroidering.

For comprehensive information on paintings and related topics, please visit Ethnic Paintings.

By: Rajneesh Dubey

Landscape Paintings – A Distinct Genre of Painting

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Landscape Painting is a distinct genre of painting that captures nature in its natural form. The paintings are reflections of the skies, seas, rivers, sun, moon and greeneries on the canvas. One of the earliest and traditional painting forms, landscape paintings touch the heart of the modern art lovers with all their purity, naturalness and aestheticism. Visual documents of the panorama of nature the paintings with their timeless appeal have grown over the years as inspirations to the generations of artists. Indian selection of landscape paintings are the treasure trove of India. Watch them and get engrossed in the wilderness and unspoiled beauties of nature. Take a tour and enrich yourself with interesting information on landscape paintings.

The word landscape originates from the Dutch word “landschap” denoting areas of arable lands. Depicting natural sceneries in a medley of lines, colors and tones was the outcome of the natural inclinations of human beings to reflect what they mostly found around them. The early civilizations with less industrialization and urbanization presented nature in its complete bounties. Artists and poets admired them in their creations. Life was not at all complex and it was only nature and its diverse facets that formed the central theme of the paintings.

Landscape painting in its antiquated form can be observed in the pastoral sceneries of the Roman times. The paintings gained prominence with the emergence of Renaissance Art. Nature was romanticized and portrayed as philosophical and spiritual elements. Various religious and mythological events were represented via nature. Though the spiritual tones were absent in the Reformation times the paintings became more uniform and realistic in this era. The seventeenth and eighteenth century led to the flourish of the paintings with some master artists like Watteau, Gainsborough and Thoams Girtin. The breathtaking creations reached their acme in the nineteenth and twentieth centuries. Various movements of arts like abstract expressionism, impressionism and surrealism influenced the painting and brought in some new styles and techniques. Nature was observed scientifically and more importance was given to its hostile aspects. In the modern and postmodern landscapes nature is synchronized with human psychologies and complexities of life. The various facets of nature resemble the moods of human beings in manifolds.

Landscape paintings have several classifications. The skyscape paintings depict clouds, skies and weather conditions. Moon is aesthetically represented in moonscape paintings. The rivers and seas find visible expression in seascapes and riverscapes. The images of urban landscapes, industrialized cities, towns and streets are carved in cityscapes and hardscapes. The aerial landscapes offer an aerial view of the objects in the ground. Inscapes are visual images of the psychoanalytical mind as a three-dimensional space. Roberto Matta, Ajmes Gleeson and Jane Farnk are the specialists in inscape paintings. Various innovations and experiments with the landscape paintings are still going on. The paintings with all their connotations and aestheticisms are a connoisseur’s delight and a prized legacy of art.

For detailed information on these Landscape Paintings please visit Landscape Paintings

By: Amitseo Kumar Singh